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More than just a pretty dress

September 2nd 2007 09:07
There is a hidden pleasure in the vintage item. Obviously, they compel for the beautiful designs, that they are probably one of a kind, and are loaded with anecdotes dating to when your mother was your age. My favourite part about old clothes is the incredible fabrics and patterns, as well as the perfect stitchwork - the only time well cared for vintage items ever falter is due to the rotting thread. My grandmother's old clothes amaze me, but I spend most of my time ooing and aahing at the seams, the hems, the way a zip, button, hook eye, dart, pleat or other has been cococted and remains, pristine.


cream on crown
Cream on Crown (Surry Hills) - a treasure chest of well-made gems. Image from refinery29.com


Clearly, this is what I loathe about clothes today. While mass consumption may make clothing more available, and allow you to have a wardrobe expanding at a size and rate similar to that of the universe, it has also caused a decay in the quality of clothes. And most annoyingly, I rarely find something that fits perfectly, everywhere.

No longer can the item be altered in-store, to suit your shape and size. The decline in the aestheticism of clothing just bugs me - what will our grandchildren admire? I wrinkle my nose whenever I see clothes made out of the semi lycra material that was once solely used in my ballet leotards. Worse still, the stitching is dying in the store.


My mother bought a 1950s gown, very Grace Kelly, for my cousin's recent 'formal' dress code wedding. It wasn't an actual size, but was made to fit the original owner exactly (who had massive bosoms). A seamstress solved the sizing dilemma for my mother, and it made me very aware and exceedingly appreciative of the sewing skill.

formalgown
My mother's 1950s duchess satin gown**


I have only ever sewn myself one dress; the pattern was simple, and I still burst into tears about four times. When I find out someone can sew, I am in awe of what I believe is a super-power. There is certainly something magical about haute-couture shows, beyond the fantastical pieces (and often strictly theoretical); Alexander McQueen is my hero.

alexander mcqueen haute couture
Alexander McQueen, S/S 2007 magic. Image from brigante.se


However, my Filipino seamstress is also a demi-goddess in my eyes. She hems my jeans so my sass&bides look like they came from an unknown petites section; she gets excited when I bring in old clothes for alterations because the 'beautiful fabrics are needing more love'; she does the everyday haute-couture, makes my clothes fit my waist and my hips, and makes me want to be my nanna, or at least a girl in the mid twentieth century, too.

**Photo not to be reproduced without permission.

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Confessions of the cloth

August 27th 2007 13:02
How long did it take you to get dressed today? I had planned what to wear today well in advance of tucking myself into bed last night. Of course, nothing ever goes to plan. I had chosen a Kinki Gerlinki tent dress with puff sleeves, made of alternating thin stripes of red and blue wool. It has Impressionist style tapestry flowers over it. Oh man, I love it. I usually wear it with a black cardigan, as the dress is enough on its own, but today I was just not content with said cardigan. I then spent the next half an hour trying to figure out what to cover my arms and their goosebumps with (I eventually settled for a black fitted spencer underneath). Trying to sleep through the wardrobe bangs and groans of despair, my boyfriend was witness to my little "episode". He was also witness to a much more panicked, and altogether (with the benefit of hindsight, of course) pathetic case of 'I have nothing to wear' a week earlier. This one lasted an hour, and as a result, I was late to university. Yes, readers, I was freaking out about what to wear to university.

When I admitted to a friend the shames of my shallow life, she confided that she too has days where she feels so uncomfortable she wants to "get off the train and go home". Her self-conscientiousness is also a result of the perils of attending a city university (but to be fair, she goes to a university dedicated to art theory, history and practice


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Yeah They Were All Yellow

August 24th 2007 01:42
Angelina Jolie Red Carpet Yellow Dress
Look at the Stars - Angelina Jolie - image from dailymail.co.uk


For Australian residents, you’re probably hiding under a rock if you didn’t see any coverage over the last few weeks of the David Jones and Myer Spring/Summer launch shows. Megan Gale and Jennifer Hawkins were parading their respective stores’ wares and championing this season’s trends, sycophantically surrounded by media, buyers and designers alike.

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In my habitual internet trawlings I came across quite a feat on the Prada website. Admittedly I didn’t much like this season’s collection but the means by which it is represented is a true cultural document. Prada demonstrates wit, self-reflexivity and pastiche in a way that many other ‘postmodernists’ should envy. As a European luxury brand, descended from a grand tradition to a commercial reality, Prada is a modern day icon but the self-representation offers an entirely new perspective on the brand.

Prada sunglasses
From Prada.com

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Why fashion?

June 11th 2007 23:11
Manolo Blahnik spring/summer 07
From Manoloblahnik.com Just try telling me that this is not beauty


With a background in literary theory and philosophy, an interest in fashion has been a naughty secret of mine for some time. But it’s time to go public. I love fashion and I’ve got good reasons. Firstly, it is aesthetically pleasing but also the social and cultural significance fashion holds are part of our everyday non-verbal communication


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