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A whole new genre

October 2nd 2007 10:20
Galliano's last catwalk show for his own label was brash brazen bordehlo but this season for Dior he's shifted from the door-jambs of Paris to the silver-screens of Hollywood, invoking screen sirens and sirs across eras, genders and genres.

Galliano leopard print dress
All images from Style.com



Parts of the collection were pure 40s vamp, a kind of seduction based not just on skin but on sultry personas, animal prints and coiffed hair.

Galliano pinstripe suit
Gender bender


Others invoked Gatsby, playing with the styles and shapes of suiting, silhouetting the feminine within the masculine.

Galliano blue dress
Darling Daisy



And Daisy with the dropped waists, pastels and nonchalance.

Galliano black coast beret trousers
Gemma the chameleon


There was Marlene Dietrich, portrayed by Australia's Gemma Ward, with stained lips, layered textures and a powerful presence.

Galliano bowler hat pinstripe jacket
Sinister, no?


And then something of A Clockwork Orange in these oversize bowler hats, something sinister in the gait and expression.

Galliano's brilliance, irreverance and steadfastness to couture ensure his place at the pinnacle of international fashion, not to mention his ability to turn out two of the most innovative collections every season, one under his name and another for one of the stalwarts of French fashion..
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Melbourne Cup Carnival Fever 2008 (LINK)

September 10th 2007 15:35
Whilst Sydney's spring carnival racing may have been bought to a standstill, the Stylist whose Celebrity was voted one 1 of 9 best dressed at the Melbourne Cup, this very blogger shares her tips as she prepares the 2008 VRC Ambassadors wardrobes for this years Melbourne Cup Racing Carnival...

What’s In


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J'adore Dior

July 20th 2007 08:20
I realise I’m running a little behind the couture shows but I am grasping the moment because, as the title indicates, my infatuation with Dior continues, exacerbated by Galliano’s recent designs for their couture show.

Couture is the aesthetic height of the fashion industry epitomising Oscar Wilde’s motto: “art for art’s sake”. Certainly some of the dresses are sold but couture is a millstone round the ankle of fashion houses as far as profit is concerned. The hours and effort spend to make each dress are Herculean, the expense of fabric and beading utterly Olympian (as in the Mount not the games


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One of the most striking models of the contemporary brat pack is Jessica Stam, a statuesque Canadian who has the kind of natural physique required for catwalk shows. She is indeed long and slender but there is nothing painful about the proportions of her legs or the position of her clavicle. My general rule is that if the knee is wider than the thigh there’s a problem but Stam is in proportion as you can see from the Stella McCartney show.

Jessica Stam in McCartney
From Style.com

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